Bringing to a close his 'Marseille' trilogy, C sar (1936) was one of Marcel Pagnol's most significant projects. This text reviews the questions that Pagnol posed in the film, looking at how he reflected the contemporary and artistic culture of the city, around which the trilogy was based. Above all, Stephen Heath looks at C sar's relation to the contemporary artistic and cultural-historical reality of Marseille, the defining locality of the trilogy and in many ways its main character.
